Push Stop. To Go (Guitar, Bass Clarinet, Baritone Saxophone)
"Push Stop. To Go" had presented itself at a time when daily life was beginning to be a rather monotonous and repetitive pattern. From commuting on the train to sitting in class, spending time in a practice room and teaching lessons, there was nothing to break-up my own daily tendencies. The commission for Bent Frequency would lend itself to being the first of many plans "outside the box," a reflection on my own actions to stop daily patterns and push beyond previous capabilities.
"Push Stop. To Go" had presented itself at a time when daily life was beginning to be a rather monotonous and repetitive pattern. From commuting on the train to sitting in class, spending time in a practice room and teaching lessons, there was nothing to break-up my own daily tendencies. The commission for Bent Frequency would lend itself to being the first of many plans "outside the box," a reflection on my own actions to stop daily patterns and push beyond previous capabilities.
"Push Stop. To Go" had presented itself at a time when daily life was beginning to be a rather monotonous and repetitive pattern. From commuting on the train to sitting in class, spending time in a practice room and teaching lessons, there was nothing to break-up my own daily tendencies. The commission for Bent Frequency would lend itself to being the first of many plans "outside the box," a reflection on my own actions to stop daily patterns and push beyond previous capabilities.